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<channel>
	<title>Rebecca Ruchti</title>
	<link>https://rebeccaruchti.de</link>
	<description>Rebecca Ruchti</description>
	<pubDate>Tue, 20 Aug 2024 07:53:13 +0000</pubDate>
	<generator>https://rebeccaruchti.de</generator>
	<language>en</language>
	
		
	<item>
		<title>contact</title>
				
		<link>https://rebeccaruchti.de/contact-1</link>

		<pubDate>Tue, 13 Aug 2024 18:37:25 +0000</pubDate>

		<dc:creator>Rebecca Ruchti</dc:creator>

		<guid isPermaLink="true">https://rebeccaruchti.de/contact-1</guid>

		<description>This page contains a selection of insights into my work. These insights are adapted to the online format and are rather narrative than documentary.For further information don’t hesitate to contact me via rebecca.ruchti@yahoo.de
instagram
copyright (c) 2025 Rebecca Ruchti
</description>
		
	</item>
		
		
	<item>
		<title>recent</title>
				
		<link>https://rebeccaruchti.de/recent</link>

		<pubDate>Tue, 20 Aug 2024 07:53:13 +0000</pubDate>

		<dc:creator>Rebecca Ruchti</dc:creator>

		<guid isPermaLink="true">https://rebeccaruchti.de/recent</guid>

		<description>
2025 &#38;nbsp; &#38;nbsp; &#38;nbsp; public reading in a workers house of August-Exter-Villenviertel, München

2024 &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; Jahresgaben, Kunstverein München 
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; dear..., Bistro21 Leipzig
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; Jus, reading within&#38;nbsp;“Europa im Original”, Institute Français München&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; (publication) The World In My Hands Telefonbuch, Alexander Tutsek-Stiftung
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; The World In My Hand, BlackBox München
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Auf der Zunge Kirschbonbon, graduation show, AdBK München

</description>
		
	</item>
		
		
	<item>
		<title>spoken works</title>
				
		<link>https://rebeccaruchti.de/spoken-works</link>

		<pubDate>Fri, 16 Aug 2024 13:23:30 +0000</pubDate>

		<dc:creator>Rebecca Ruchti</dc:creator>

		<guid isPermaLink="true">https://rebeccaruchti.de/spoken-works</guid>

		<description>

Trailer of&#38;nbsp;Boucherie, bon ou cherie?, a video that is rhythmized by spoken text fragments and photos taken in Marseille.


Five Courses is a collection of spoken audio works that deal with textures of different liquids and relate them to the texture of speech.&#38;nbsp;






rumours, 2:24 mins., human voice with Souffleusenkasten (1), verneer tabletop + Souffleusenkasten (2), MDF tabletop


</description>
		
	</item>
		
		
	<item>
		<title>scroll</title>
				
		<link>https://rebeccaruchti.de/scroll</link>

		<pubDate>Tue, 13 Aug 2024 13:04:37 +0000</pubDate>

		<dc:creator>Rebecca Ruchti</dc:creator>

		<guid isPermaLink="true">https://rebeccaruchti.de/scroll</guid>

		<description>&#60;img width="4112" height="3088" width_o="4112" height_o="3088" data-src="https://freight.cargo.site/t/original/i/35bebf50967db0e6791fd2fc4e4d8afb4fc8b82c6b9e4e91cde9f4ddbaca1021/P1280358-Verbessert-NR.jpg" data-mid="216441046" border="0" data-scale="57" src="https://freight.cargo.site/w/1000/i/35bebf50967db0e6791fd2fc4e4d8afb4fc8b82c6b9e4e91cde9f4ddbaca1021/P1280358-Verbessert-NR.jpg" /&#62;
Tisch, paper

 &#60;img width="3088" height="4112" width_o="3088" height_o="4112" data-src="https://freight.cargo.site/t/original/i/fb5214f3afca2873c1f3051fff65c84a5af8a162441f81ec18a0dd23087bc20a/P1280428-Verbessert-NRweier.jpg" data-mid="216446936" border="0" data-scale="32" src="https://freight.cargo.site/w/1000/i/fb5214f3afca2873c1f3051fff65c84a5af8a162441f81ec18a0dd23087bc20a/P1280428-Verbessert-NRweier.jpg" /&#62;&#38;nbsp; &#38;nbsp;&#60;img width="3088" height="4112" width_o="3088" height_o="4112" data-src="https://freight.cargo.site/t/original/i/2dd3a0650f934ba9c72db4293d4f1ccbe4354287b7e51032a74412956f7985c0/P1280378-Kopi-helle.jpg" data-mid="216446998" border="0" data-scale="32" src="https://freight.cargo.site/w/1000/i/2dd3a0650f934ba9c72db4293d4f1ccbe4354287b7e51032a74412956f7985c0/P1280378-Kopi-helle.jpg" /&#62;
Schemel, paper (l.) and Hocker, paper, cryon (r.)&#60;img width="3088" height="4112" width_o="3088" height_o="4112" data-src="https://freight.cargo.site/t/original/i/d081f216b1884ccfaa4cc3f21269af072f1cffcad5b54d81326a81e46c67fc45/P1280097_1.jpg" data-mid="216596839" border="0" data-scale="33" src="https://freight.cargo.site/w/1000/i/d081f216b1884ccfaa4cc3f21269af072f1cffcad5b54d81326a81e46c67fc45/P1280097_1.jpg" /&#62;
H, glass



A female voice echoes in the public space. It repeats with an ever so slightly different intonation, but over and over again the two words Sauce Hollandaise.From latently bored to meltingly erotic.




The audio work Sauce Hollandaise, belongs to Five Courses, a collection of audio works that deal with textures of different liquids and relate them to the texture of speech.  To listen to some of them, click click
&#60;img width="2560" height="3840" width_o="2560" height_o="3840" data-src="https://freight.cargo.site/t/original/i/4e10befb5d6c1a219f655762fd08c0c7d4fd1f6e938a29900d00bdf456eb6eda/_P6A8696.jpg" data-mid="216397903" border="0" data-scale="30" src="https://freight.cargo.site/w/1000/i/4e10befb5d6c1a219f655762fd08c0c7d4fd1f6e938a29900d00bdf456eb6eda/_P6A8696.jpg" /&#62;corner piece (1), glazed ceramic tiles, wood. Photo: Ludwig Neumayr


&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/18883b4dffaed8a697ff4c704b97850cca1f53a69b83a9f71d43ef20c03f09c8/DSC00143-Verbessert-NR.jpg" data-mid="216397999" border="0" data-scale="64" src="https://freight.cargo.site/w/1000/i/18883b4dffaed8a697ff4c704b97850cca1f53a69b83a9f71d43ef20c03f09c8/DSC00143-Verbessert-NR.jpg" /&#62;&#38;nbsp;&#38;nbsp;
Grasende, Stehende, Liegende, paper

&#38;nbsp;
&#60;img width="2252" height="3378" width_o="2252" height_o="3378" data-src="https://freight.cargo.site/t/original/i/61af01580d4b81321e639cc4ee43728428dce42eba8bac50dd7a35d6fba96523/P1260370.jpg" data-mid="216402064" border="0" data-scale="29" src="https://freight.cargo.site/w/1000/i/61af01580d4b81321e639cc4ee43728428dce42eba8bac50dd7a35d6fba96523/P1260370.jpg" /&#62;&#38;nbsp; &#38;nbsp;&#60;img width="1682" height="2240" width_o="1682" height_o="2240" data-src="https://freight.cargo.site/t/original/i/3f95273cd7d2ca155bb5d4583137f3769abafb0e42ec2458294ad6907a68cca0/P1000078-Verbessert-NRausschnitt.jpg" data-mid="216402342" border="0" data-scale="33" src="https://freight.cargo.site/w/1000/i/3f95273cd7d2ca155bb5d4583137f3769abafb0e42ec2458294ad6907a68cca0/P1000078-Verbessert-NRausschnitt.jpg" /&#62;
Untitled, glass, ceramic, canvas





Und die flachen, ausgebleichten Idyllen, die aus den Häusern ragen. Zu ausgebleicht, um hölzern zu sein: Eine gebogene Brücke über einem Bach. Und ehe du dich versiehst, stehst du vor Hühnchenschenkeln und geschichteten Filets und denkst an - Monet.&#38;nbsp;
excerpt from the text script of Boucherie, bon ou cherie?, a video that is rhythmized by spoken text fragments and photos taken in Marseille. To watch the trailer, click click.




&#60;img width="2831" height="2061" width_o="2831" height_o="2061" data-src="https://freight.cargo.site/t/original/i/1fd3f880f910f6156699d3e13a4bd6b4e5ee05318f38efbca29e41f5918a8832/1_Rebecca-Ruchti_strange-cousin.jpg" data-mid="216307063" border="0" data-scale="59" src="https://freight.cargo.site/w/1000/i/1fd3f880f910f6156699d3e13a4bd6b4e5ee05318f38efbca29e41f5918a8832/1_Rebecca-Ruchti_strange-cousin.jpg" /&#62;&#38;nbsp;
strange, cousin, molten glass

&#60;img width="3088" height="4112" width_o="3088" height_o="4112" data-src="https://freight.cargo.site/t/original/i/6767dc7bbda6735463da316bbb0bc5e4c11281600fe347a8648b17e756ada5ce/P1270810-Verbessert-NR-Kopie.jpg" data-mid="216284186" border="0" data-scale="34" src="https://freight.cargo.site/w/1000/i/6767dc7bbda6735463da316bbb0bc5e4c11281600fe347a8648b17e756ada5ce/P1270810-Verbessert-NR-Kopie.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="1198" height="1595" width_o="1198" height_o="1595" data-src="https://freight.cargo.site/t/original/i/2d5d7c554e05abd06c6b9bac6d2a692530a8d7370dc53bc2ad6b212319bdac39/3_Rebecca-Ruchti_Gelbe-Rube-Kopie.jpg" data-mid="216284185" border="0" data-scale="34" src="https://freight.cargo.site/w/1000/i/2d5d7c554e05abd06c6b9bac6d2a692530a8d7370dc53bc2ad6b212319bdac39/3_Rebecca-Ruchti_Gelbe-Rube-Kopie.jpg" /&#62;

Gelbe Rübe, ground glass, self-sewed plastic bag&#38;nbsp; &#38;nbsp;


&#60;img width="3088" height="4112" width_o="3088" height_o="4112" data-src="https://freight.cargo.site/t/original/i/d783456e4cc996e84bef2a3ff2c1faa53828daf9e1158cb84913b9e9727ca312/P1270776-Verbessert-NR-Kopie.jpg" data-mid="216316801" border="0"  src="https://freight.cargo.site/w/1000/i/d783456e4cc996e84bef2a3ff2c1faa53828daf9e1158cb84913b9e9727ca312/P1270776-Verbessert-NR-Kopie.jpg" /&#62;
&#60;img width="4112" height="3088" width_o="4112" height_o="3088" data-src="https://freight.cargo.site/t/original/i/9fee25c4e47dea1312533ced67f8d45513da492e3759b759d0343fb6267e430b/P1270834-Verbessert-NR-Kopie.jpg" data-mid="216311974" border="0"  src="https://freight.cargo.site/w/1000/i/9fee25c4e47dea1312533ced67f8d45513da492e3759b759d0343fb6267e430b/P1270834-Verbessert-NR-Kopie.jpg" /&#62;
sneak de rêve, written poem on printing paper (referring to Slovenian poem of Tomaž Šalamun) and Stapel, a stack of Din A4 soap
&#60;img width="4112" height="3088" width_o="4112" height_o="3088" data-src="https://freight.cargo.site/t/original/i/85ed44db9a16c018ec88902a1e6c9104ce90b3998fd8bbec4962581e7bdb5c11/P1250172.JPG" data-mid="216318528" border="0" data-scale="59" src="https://freight.cargo.site/w/1000/i/85ed44db9a16c018ec88902a1e6c9104ce90b3998fd8bbec4962581e7bdb5c11/P1250172.JPG" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="2971" height="3957" width_o="2971" height_o="3957" data-src="https://freight.cargo.site/t/original/i/22e7e38d7898dd67172a1641bfcc4303021fb98bf9a2113d918ba7cc280e0aac/a_3.jpg" data-mid="216318548" border="0" data-scale="33" src="https://freight.cargo.site/w/1000/i/22e7e38d7898dd67172a1641bfcc4303021fb98bf9a2113d918ba7cc280e0aac/a_3.jpg" /&#62;Exhibition in a gravel pit in the countryside of the Bavarian Fünfseenland. It was formed by glaciers during the last ice age. The placement and accessability during the five-day exhibition were determined by the site workers activity. The placement influenced the arrangement of the objects. At least two different arrangements per day took place.&#60;img width="1522" height="1593" width_o="1522" height_o="1593" data-src="https://freight.cargo.site/t/original/i/d024d1fb2b03c881eddce4eed596582bb767167f9cf6d7cfad39a1c821ddd15c/post-it-grun-klein.jpg" data-mid="216333439" border="0" data-scale="38" src="https://freight.cargo.site/w/1000/i/d024d1fb2b03c881eddce4eed596582bb767167f9cf6d7cfad39a1c821ddd15c/post-it-grun-klein.jpg" /&#62;&#38;nbsp; &#38;nbsp;&#60;img width="2999" height="2252" width_o="2999" height_o="2252" data-src="https://freight.cargo.site/t/original/i/4e334fd987339ca4fa631ba24c8a3a59ba34d1f4d51f5ed5c8130cae57462349/P1000099-Kopie.jpg" data-mid="216348227" border="0" data-scale="53" src="https://freight.cargo.site/w/1000/i/4e334fd987339ca4fa631ba24c8a3a59ba34d1f4d51f5ed5c8130cae57462349/P1000099-Kopie.jpg" /&#62;Untitled, cast and pressed post-it-paper, 7 x 7 x 7 cmUsed post-it-papers from private households and of ces were pulped with water. During the mixing process all text dissolved. The paper pulp was cast and then pressed for several weeks.

Untitled, hollowed-out ceramic, 25 x 15 x 15 cmThe appearence of the object, its surface quality and format is exactly the same as the one of a ceramic block coming out of its plastic packaging. It has been hollowed-out, fired and now weighs very little. The object has a counterpart: The extracted clay is massive, red and looks similar to a brick. It weighs a lot.
&#60;img width="3271" height="2181" width_o="3271" height_o="2181" data-src="https://freight.cargo.site/t/original/i/07050439c0151b7188dba468ae48715b21c9669c7d180aedb5033b85818a4d75/P1260391-Kopie.jpg" data-mid="216334085" border="0" data-scale="52" src="https://freight.cargo.site/w/1000/i/07050439c0151b7188dba468ae48715b21c9669c7d180aedb5033b85818a4d75/P1260391-Kopie.jpg" /&#62; &#38;nbsp; &#60;img width="3152" height="2364" width_o="3152" height_o="2364" data-src="https://freight.cargo.site/t/original/i/c9900e5e11f84269efed61d0f13ba6dd2e86f36e69d6d0efef1959ca3cdaba9a/P1000717_1.jpg" data-mid="216333901" border="0" data-scale="46" src="https://freight.cargo.site/w/1000/i/c9900e5e11f84269efed61d0f13ba6dd2e86f36e69d6d0efef1959ca3cdaba9a/P1000717_1.jpg" /&#62;


Untitled, molten glass, 13 x 4,5 x 0,6 cm
Untitled,
 limestone (shaped and polished), 11 x 5 x 2 cm
&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/c57144af825fb62d9a4c5680758f04cbb14e918a1363799bb419f1651fd2c5b9/DSCF1585.jpg" data-mid="216465106" border="0" data-scale="38" src="https://freight.cargo.site/w/1000/i/c57144af825fb62d9a4c5680758f04cbb14e918a1363799bb419f1651fd2c5b9/DSCF1585.jpg" /&#62;&#38;nbsp;&#38;nbsp;&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/05b2c83ae34a2ddccd1f9c71180dc6cc164fe32aeb52f0f6e13485fef6d739d1/DSCF1757.jpg" data-mid="216465107" border="0" data-scale="57" src="https://freight.cargo.site/w/1000/i/05b2c83ae34a2ddccd1f9c71180dc6cc164fe32aeb52f0f6e13485fef6d739d1/DSCF1757.jpg" /&#62;Pilates Duo oder Einzel, sound performance (live, 17 minutes, amplified on stereo speakers) and installation in public space. Together with Giulia Zabarella.&#38;nbsp;
Photos: Leonhard Huber

v</description>
		
	</item>
		
		
	<item>
		<title>sites</title>
				
		<link>https://rebeccaruchti.de/sites</link>

		<pubDate>Tue, 13 Aug 2024 13:04:30 +0000</pubDate>

		<dc:creator>Rebecca Ruchti</dc:creator>

		<guid isPermaLink="true">https://rebeccaruchti.de/sites</guid>

		<description>Rebecca Ruchti
sitesword and object
object and voice



	
	
Inner Courtyard Marseille
Boucherie
HotelQuarry
Gravel PitFountain
Field

Parking Site&#38;nbsp;
Laundromats
</description>
		
	</item>
		
		
	<item>
		<title>silhouettes of barking dogs </title>
				
		<link>https://rebeccaruchti.de/silhouettes-of-barking-dogs</link>

		<pubDate>Tue, 13 Aug 2024 13:04:31 +0000</pubDate>

		<dc:creator>Rebecca Ruchti</dc:creator>

		<guid isPermaLink="true">https://rebeccaruchti.de/silhouettes-of-barking-dogs</guid>

		<description>
	Rebecca Ruchtisites &#38;nbsp;
word and object 
object and voice silhouettes of barking dogs (video, 4:31 min.)

“The work is a reflection on the disconnected states of being of watch dogs at Boulevard National in Marseille. During the heat of the day, the dogs lie silently in the artificial light of the supermarkets they are supposed to protect. But at night, their disembodied voices, at least temporarily freed from their muzzles, roam the sleeping neighborhood in the inner courtyard.” - Leo Heinik


full video&#38;nbsp;


The video shows an excerpt from the performance project entre chien et loup, which was developed for the soundscape of an inner courtyard in Marseille. 
The performance on site consisted out of three elements:

I. Ohren und Augen, introductory text 
II. Silhouettes of barking dogs (1 - 15), colored satin fabrics, variable size
III. racket ball ball ground, text, read over loudspeakers at certain intervals 


	&#60;img width="2936" height="3313" width_o="2936" height_o="3313" data-src="https://freight.cargo.site/t/original/i/4795c6ae0cbbbeb905b9464bca3fddfbf2e17cae68bc567c935ed41bcf5f6af1/Hinterhof-.jpg" data-mid="216284088" border="0"  src="https://freight.cargo.site/w/1000/i/4795c6ae0cbbbeb905b9464bca3fddfbf2e17cae68bc567c935ed41bcf5f6af1/Hinterhof-.jpg" /&#62;&#60;img width="2644" height="1476" width_o="2644" height_o="1476" data-src="https://freight.cargo.site/t/original/i/97be045dad9efbe3fe46e120a894cd29545de6c365d3f776b7cbe5713b17a563/Bildschirmfoto-2023-11-14-um-11.01.22.png" data-mid="216284087" border="0"  src="https://freight.cargo.site/w/1000/i/97be045dad9efbe3fe46e120a894cd29545de6c365d3f776b7cbe5713b17a563/Bildschirmfoto-2023-11-14-um-11.01.22.png" /&#62;&#60;img width="2658" height="1482" width_o="2658" height_o="1482" data-src="https://freight.cargo.site/t/original/i/aa451375a9f1357a9bd1b58ec46886a8e939a8d34abe5211b550fdade6984ab8/Bildschirmfoto-2024-02-18-um-18.58.20.png" data-mid="216284089" border="0"  src="https://freight.cargo.site/w/1000/i/aa451375a9f1357a9bd1b58ec46886a8e939a8d34abe5211b550fdade6984ab8/Bildschirmfoto-2024-02-18-um-18.58.20.png" /&#62;
&#60;img width="3010" height="1672" width_o="3010" height_o="1672" data-src="https://freight.cargo.site/t/original/i/36a0d2f636eb101e6eac942a43a02a0b98d3417f1925e199f9445367fa62a98c/Bildschirmfoto-2023-10-15-um-14.28.59.png" data-mid="216284086" border="0"  src="https://freight.cargo.site/w/1000/i/36a0d2f636eb101e6eac942a43a02a0b98d3417f1925e199f9445367fa62a98c/Bildschirmfoto-2023-10-15-um-14.28.59.png" /&#62;&#60;img width="2644" height="1472" width_o="2644" height_o="1472" data-src="https://freight.cargo.site/t/original/i/b3595c9d8805c0507440610b15954b9b20fd5a11214c724d1af28665c3570171/Bildschirmfoto-2023-11-14-um-11.03.48.png" data-mid="216284090" border="0"  src="https://freight.cargo.site/w/1000/i/b3595c9d8805c0507440610b15954b9b20fd5a11214c724d1af28665c3570171/Bildschirmfoto-2023-11-14-um-11.03.48.png" /&#62;


&#38;nbsp;</description>
		
	</item>
		
		
	<item>
		<title>schü d'orr</title>
				
		<link>https://rebeccaruchti.de/schu-d-orr</link>

		<pubDate>Tue, 13 Aug 2024 13:04:32 +0000</pubDate>

		<dc:creator>Rebecca Ruchti</dc:creator>

		<guid isPermaLink="true">https://rebeccaruchti.de/schu-d-orr</guid>

		<description>
	Rebecca Ruchtisites &#38;nbsp;
word and object 
object and voice&#38;nbsp;






schü d’orr&#38;nbsp;exhibition with objects and audio voice in a hotel room in Hotel Mariandl, Munich.This exhibition is about refreshing orange juice in the morning, that is often served for breakfast during a hotel stay.&#38;nbsp;
The window was kept open during the whole exhibition, so the room was cold temperatured&#38;nbsp; and had a continous wind breeze. The name of the exhibition refers to the audio voice, that was played in loop. &#38;nbsp;
schü d’orr, 2021, human voice, the word orange juice in over 20 different languages, 1:02min
untitled (inhale, exhale), 2021, three objects out of pressed coasters, ca. 60x60x30cm,&#38;nbsp; 60x60x15cm,&#38;nbsp; 60x60x3cm&#38;nbsp;
Glas, 2021, glass, 28/120cmuntitled (Bündel), 2021, glazed ceramic






	
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	</item>
		
		
	<item>
		<title>24h soothing care</title>
				
		<link>https://rebeccaruchti.de/24h-soothing-care</link>

		<pubDate>Tue, 13 Aug 2024 13:04:33 +0000</pubDate>

		<dc:creator>Rebecca Ruchti</dc:creator>

		<guid isPermaLink="true">https://rebeccaruchti.de/24h-soothing-care</guid>

		<description>
	Rebecca Ruchtisites &#38;nbsp;
word and object 
object and voice&#38;nbsp;






24h soothing care exhibition with objects and audio voice,&#38;nbsp;&#38;nbsp;
The exhibition was open vor 24 hours in the second plain of the Untersberg quarry in Salzburg (AT).
Ten elements were placed in this plain. All a result of two months of research while living in one of the former
working houses in the quarry. The used material was already on the site (stone in different aggregates, steel,
wood) or a result of negotiation with local workers (towels, soap, sanitary paper). A Bluetooth box was the only
thing I brought. The audio files, that were played are described below.

					
For the exhibition I cleared the area from debris.

					
Most of the Untersberg marble (in fact a limestone) being mined here will become bathroom tiles.
The installation confronted the raw material with elements of its possible future: a bathroom.

				
			
		
	


	
		
		
	
	
		
			
				
					
The sound of purling water connected past (the area was ancient sea), present (water is used within the
mining process) and the future of the Untersberg marble.As background sound it accompanied...

					
...a singing voice under the shower, which echoed in the quarry.
The voice surrogated lyrics of well-known songs with humming,
clicking and warbling - the different songs blurred into one. From
light and airy to fervent to unstable and insecure. 
list of objects:
shower head (album of 18 songs), 2020,&#38;nbsp; female voice, audio (loop)
	
		
		
	
	
		
			
				
					Untitled, 2020, cast soap tiles and soap panels on sanitary paper, 100x60x1 cmThe soap has its own smell, becomes limp when it is warm and sweats when it is hot.

					Untitled, 2020, shaped and polished limestone, towel, 24x24x13cm

					pft pft pfft pfft pfff pfffff pft pfffft pft pft pft pft pft ft, 2020, pressed marble dust, wood, size variable

The calcium carbonate obtained from marble dust is ingredient of many toothpastes
untitled, 2020, marble on a pile of marble scraps (size variable)

				
			
		
	












	
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</description>
		
	</item>
		
		
	<item>
		<title>Pilates Duo oder Einzel</title>
				
		<link>https://rebeccaruchti.de/Pilates-Duo-oder-Einzel</link>

		<pubDate>Tue, 13 Aug 2024 13:04:35 +0000</pubDate>

		<dc:creator>Rebecca Ruchti</dc:creator>

		<guid isPermaLink="true">https://rebeccaruchti.de/Pilates-Duo-oder-Einzel</guid>

		<description>
	Rebecca Ruchtisites &#38;nbsp;
word and object 
object and voice&#38;nbsp;




				
			
		
	


Pilates Duo oder Einzel (together with Giulia Zabarella) Sound performance, live, 17 min.,
amplified on stereo speakers; installation in public space (Das Trottoir exhibition series)photos: Leonhard Huber

A street in a Munich neighbourhood becomes stage set and sounding board of sounds and words that fill the air and whose source is at first not easy to spot. A rectangular parking lot is denied in its function by 6 white benches placed diagonally on its surface: cars are literally “driven out”, while visitors and passers-by are welcome to sit and occupy its space. From a window, from an apartment up on the opposite side of the street, singing, whistling voices and accordion chords are performed and reach the audience downstairs filtered through background noise, street traffic, wind and birds chirping, the spectacle of daily life. The sound piece combines advertisements and writings coming from the street to more intimate anecdotes and fragments from interiors. The perpetual appearance, looping and modulating of two melodies (Theme A: Tarantella Napoletana and Theme B: Bella Ciao) gives body to the constant reshaping and reappropriation of politically charged music tunes into pop-folk ones, and viceversa, before disappearing again in the daily hum and buzz of street life. 
(text by Giulia Zabarella)






	
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</description>
		
	</item>
		
		
	<item>
		<title>word and object</title>
				
		<link>https://rebeccaruchti.de/word-and-object</link>

		<pubDate>Tue, 13 Aug 2024 13:04:36 +0000</pubDate>

		<dc:creator>Rebecca Ruchti</dc:creator>

		<guid isPermaLink="true">https://rebeccaruchti.de/word-and-object</guid>

		<description>
	Rebecca Ruchti
sites &#38;nbsp;
word and object 
object and voice 

	
	Gertrude Gertrude Gelbe Rübe
TischBlock
Blöcke
Rohr
Röhrchen
H
Stäbe
</description>
		
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